|
“Everywhere Thomson goes, he finds good stories
to tell.” New York Times Book Review Hugh Thomson’s first book, The
White Rock (Weidenfeld & Nicolson), was the result of a
twenty-year long quest to explore and understand the Peruvian Andes in the
area beyond Machu Picchu. In 2002 he co-led the expedition
which discovered the Inca site of Cota Coca. The team
then returned to Peru in 2003 and made extensive finds at Llactapata, near
Machu Picchu, showing that this site was far larger and more significant than
had been previously realised. His most recent book, Nanda Devi: A Journey to the Last Sanctuary
(Weidenfeld & Nicolson) is about the celebrated Nanda Devi Sanctuary in
the Himalaya, on the border between Tibet and India, long closed to all visitors
by the Indian government, but briefly re-opened to the outside world for an
international expedition of which he was a part. Hugh has had a long career as a
director and producer of documentaries, of which he is a passionate advocate:
he was a founder member of the group of film-makers who established the Sheffield International Documentary Festival,
the first festival in the UK to concentrate exclusively on the genre. He was BAFTA-nominated for his ten-hour
series Dancing in the Street: A Rock and Roll History,
which set out to tell the epic story of the ‘devil’s own music’ from its
beginnings in the 1950s to the present day. It took four years to make and
went on to win numerous awards for the BBC around the world. For his next series, Indian
Journeys, again made for the BBC, Hugh collaborated with William
Dalrymple to make three ambitious films about India, winning the Grierson
Prize for Best Documentary Series. His many other
films have followed interests as various as surfing, the conquest of
Mexico and Oscar Wilde. His most
recent films have included Pacific Hell (C4), about the epic first
solo crossing of the Pacific in a rowing boat, and Highsmith: Her
Secret Life (BBC) on the strange and obsessive world of Patricia
Highsmith. “Thomson
belongs to a rare species of explorer. He is a writer who explores and not an explorer
who writes. And it’s Thomson’s extreme humility in the face of both danger
and extraordinary success that places him in the same tradition as Eric
Newby.” Geographical Magazine |